ZOO MAGAZINEFashion. Scotch & Soda’s “Misguiding Guide of Amsterdam”A map that’ll help you getting lost and explore the hidden greatness of Amsterdam: an innovative way to discover the places Google doesn’t suggest. Scotch & Soda presents the Misguiding Guide of Amsterdam, an newspaper- zine available in stores and the online app from mid- October.
Visual artist Jan Rothuizen and journalist Fiona Hering roam around the city with well- known influencers in the creative fields music, fashion, business and art, the so- called “Misguiders”. For its first edition, the Misguiders five Amsterdam “un- tips” and further includes a redrawn and reimagined Amsterdam by Rothuizen and pictures of the Misguiders by photographer Mounir Raji. For its launch, Papersmith studio artist Mandy Smith created an origami garment made from the zine. Adam Kakembo, CMO of Scotch & Soda, says: “Nowadays, we don’t go anywhere offline without fully exploring online first: then we know exactly what to expect when we get there. With the “The Misguiding Guide of Amsterdam” we want to spark curiosity and rediscover the forgotten art of personal discovery.” www. Fashion. Herm. A relaxed, simple atmosphere — far from any decorative fuss. With no display of the iconic bags nor the famous carr. The first looks in denim with faded pink tones feature a dress tapered at the waist, a silhouette also declined in fuchsia leather. This luxurious material, trademark of the house, is certainly one of the protagonist of the collection together with subtle reference to male wardrobe: relaxed high waist wide pants matched with blouses with ajour details or in silk cigaline, a calfskin coat made of assembled panels. All perfectly balanced. The final bias cut long dresses make a fresh romantic entrance into the composed atmosphere. Entering the venue in Bercy arena we all felt that disarming disorientation. The squared mirrored catwalk, the descending seating. The pitch black and luminous white. As almost as whispering that Armani empire, style and philosophy can raise anywhere. The collection was eclectic. If the first squad - including some male models - arrived in composed functional looks in the tones of desaturated blue and grey, an extreme variation of styles and colours took the lead. Soft silk satin pyjamas, unstructured blazers with matching trousers forming that perfect contemporary power suit. Liquid fabrics ruling tailored pieces. As the troop continued marching in we saw coral red hues, faded green, white, cobalt blue, purple. And the unexpected South Asian elephant prints, becoming the running theme through part of the collection: at the hems of pants or adorning the neckline of the summery long dresses. There was a multitude of accessories, from flats- shoes to heels of all shapes, small bags worn at the waist or crossbody, statement earrings. All meticulously styled. Emporio Armani for Spring 2. Fashion. Maison Margiela Spring 2. Movies Watch the Full-Length Trailer for Tom Ford's Nocturnal Animals with Jake Gyllenhaal and Amy Adams. Posted on September 15, 2016 at 11. This Record Store Day 12' features Norway's most famous band from the '80s performing live in Porto Alegre, Brazil. It includes five songs recorded at the. Ready- to- Wear When you pair a fashion house that has been the symbol of breaking the rules of conventional fashion and an irreverent genius mind, the result is just powerful. Maison Margiela Spring Summer 2. Nocturnal Animals Film 2016 Online Full-length DefinitionIn January of 2015, Mark and Jay Duplass signed a four-film production deal with Netflix. Later that year, the brothers signed a seven-film deal with indie. John Galliano is certainly the proof that the one between the English designer and the French fashion house is a match made in heaven. Galliano produced a collection of contrasts, un- matching references, and a rebellious spirit that only few designers like Galliano can pull off these days. Just like Martin Margiela did in his glorious years. Maison Margiela Spring Summer 2. A skirt adorned with broken CDs to create flower- like appliqu. Lace matched with see trough plastic lining, ruffled corsets and puffy Victorian sleeves. The head pieces often like modern wet caps matched with hearings like a sort of Star Trek’s Spock brought a further look into Galliano’s game of double, of ambiguous, and surely of the intricate creative process that this incredible designer went through to reinterpret Maison Margiela’s identity. That’s just what we were all waiting for. They are all symbols of this new Dior, but also homage to the superstitious Christian Dior himself. The French master was obsessed with astrology and other myths of the occult, and certainly this collection wanted to be inspired by his legacy more in spirit than in form. We saw that vocabulary that was once the signature of Chiuri and Piccioli for Valentino: transparency made of dreamlike sheer tulle in powder ivory, white, black, and a deep red, together with polka dots and precisely constructed bustiers. Underneath, the minimalist ironic men- like underwear marked with “Christian Dior, j’a. Dior” motto at the elastic waistband. It’s Maria Grazia’s Dior and no one else’s. The slogan “We should all be feminists” on a t- shirt sounded more of a provocation than an admonition. This is not a woman who in the process of advocating gender equality renounce to womanhood in order to be a surrogate resemblance of her male counterpart – on the contrary she is embracing her femininity where feminism is the vehicle for empowering and liberation. Rather, it primed a canvas of classics from which showpieces would pop. And there was good reason to call upon the party clothes; 2. Creative Direction of Tomas Maier. In spirit of occasion, Maier’s forward- thinking retrospective featured more than a few familiar faces, from Eva Herzigova and Lauren Hutton to Bella and Gigi Hadid. As a performance piece it pleased crowds, but as a practice of the practicality of Bottega Veneta, it blew minds – it confirmed that which we had always supposed but never truly knew: Bottega makes clothes we can all wear – nuanced, transitional clothes which seem to shapeshift according to the spirit of the woman who wears them. SS1. 7 sculpted supple shells of coffee- colored crocodile, swinging to calves as mackintosh coats or cropped as curt little bikers. Separates clung to the torso in flimsy wools, button- up blouses making a second skin of macram. Color was rationed, but when it bled through the cracks, it blazed. Lurid contrasts courted hot pink yarns against waxy red leather skirts, cinched like paper bags at the waist, while ditsy florals found their way onto faded reams of lemon yellow cotton, bound and belted around the body as refreshingly modest wrap dresses. This tack’s been on the table for fifty years, but it’s a sensibility that hasn’t gone stale. Here’s to another half century. Featuring his forever favourite muse Anja Rubik in a leather embroidered body suit matched with a denim jacket and a strong sensual look the designer gave a taste of his new direction. Vaccarello created a collection very much rooted in his DNA.: leather, sexy on its extreme, naked. As declared by the Belgian born designer himself, his point of reference, a puff shouldered dress designed by Yves in ’8. It’s the trashy spirit of the 8. Staging an homage to the French master but mainly surely drawing the line of what his new course for Saint Laurent — soon to be back with “Yves” in its logo as announced by the fashion house — will look like. The interior of the 1. Gilles& Boissier. Two large shopping windows invite the consumer in the Moncler sphere. Grey marble floors and white walls create a modern shopping space, which will sell Moncler Gamme Rouge Ready- to- Wear, Moncler and Moncler Grenoble as well as the accessories collection for men and women. The opening of the Wynn Palace boutique comes a year after the first franchise opened at the Galaxy Macau. The adizero MD is suitable for races between 8. Pebax- and TPU sole. The adizero Avanti design is primarily designed for long distance runs from 1. This is the first shoe to only have four instead of the usual five spikes, which makes the shoe lighter but still grants enough stability. The 3. 60- Degree Printed Knit, as there’s no insole necessary, is one of the lightest shoes Adidas has ever developed, while the adizero adios is the fastest running shoe in the world at the moment, with German running- twins Anna and Lisa Hahner sporting them on their feet. One of these designers is Vienna- born Marina Hoermannseder, who has in three years gained fans like singer Lady Gaga with her orthopaedic corsets. Marina’s latest collection included a corsage and skirt embellished with crystals, which was made through a collaboration with six other designers who created a special collection using Swarovski crystals. The Council’s Chairman is Vogue Editor- In- Chief Christiane Arp, who said; “It is important to help design talent get more attention. We are delighted to have the support of Swarovski for our talent development initiative.” www. Fashion. Diesel Fall/Winter 2. Campaign. Photography duo Santiago& Mauricio worked alongside Artistic Director Nicola Formichetti and stylist Davey Sutton for the Diesel Fall/Winter 2. Campaign, translating fashion culture and creating a dialogue in a series of honest and humoristic images. As diesel celebrates difference and diversity, cast are a group of individuals with different cultures and personalities. The duo has a shared love for British nature and wildlife, which brought them to Shetland, a subarctic island northeast from Great Britain. Placed in the rocky Scottish landscape, Hawkesworth’s images portray a sense of young and surrealistic beauty and continue Mc. Queen’s admiration for romantic, natural scenery. Kronthaler explains when envisioning the campaign, they were focused on finding a spiritual place to shoot and stumbled upon a middle- eastern rug, which gave them inspiration. Viktor Horsting and Rolf Snoeren use torn up fabrics and mix them to create a new abundant silhouette. Another influence for the collection is Dickens’ Vagabonds, quoting; “Those that belong nowhere, wandering from place to place, roaming the city.” The final sees the wanderers, roaming the runway. Another model is dressed in an upside down orange coat, worn over a navy shift dressed, paired with rubber- soled thigh- high black .
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